TO A SKYLARK-William Wordsworth

Ethereal minstrel! pilgrim of the sky!
Dost thou despise the earth where cares abound?
Or, while the wings aspire, are heart and eye
Both with thy nest upon the dewy ground?

Thy nest which thou canst drop into at will,
Those quivering wings composed, that music still!
To the last point of vision, and beyond,
Mount, daring warbler! -that love-prompted strain,
('Twixt thee and thine a never-failing bond),
Thrills not the less the bosom of the plain,

Yet mightst thou seem, proud privilege! to sing
All independent of the leafy Spring.
Leave to the nightingale her shady wood,
A privacy of glorious light is thine,
Whence thou dost pour upon the world a flood
Of harmony, with instinct more divine,
Type of the wise who soar, but never roam,
True to the kindred points of heaven and home.

"YOU ARE OLD,FATHER WILLIAM..."-Lewis Carroll

"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head
Do you think, at your age, it is right?
"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."

"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door
Pray what is the reason for that?"
"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment one shilling a box
Allow me to sell you a couple?"

"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak
Pray, how did you manage to do it?"
"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."

"You are old," said the youth, "one would hardly suppose
That your eye was as steady as ever;
Yet you balanced an eel on the end of your nose
What made you so awfully clever?"
"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I'll kick you down stairs.

LAUGH AND BE MERRY-John Masefield

Laugh and be merry, remember,better the world with a song.
Better the world with a blow in the teeth of a wrong.
Laugh, for the time is brief, a thread the length of a span.
Laugh and be proud to belong to the old proud pageant of man.
Laugh and be merry, remembering, in older time,
God made heaven and earth for joy He took in a rhyme,
Made them, and filled them full with the strong red wine of His mirth,
The splendid joy of the stars, the joy of the earth.
So we must laugh and drink from the deep blue cup of the sky.
Join the jubilant song of the great start sweeping by,
Laugh, and battle, and work, and drink of the wine outpoured
In the dear green earth, the sign of the joy of the Lord.
Laugh and be merry together, like brothers akin,
Guesting awhile in the rooms of a beautiful inn, Glad till the dancing stops, and the lilt of the music ends
Laugh till the game is played and be you merry my friends.

BROKEN SONG-Rabindranath Tagore

Kasinath the new young singer fills the hall with sound:
The seven notes dance in his throat like seven tame birds.
His voice is a sharp sword slicing and thrusting everywhere,
It darts like lightening - no knowing where it will go when.
He sets deadly traps for himself, then cuts them away:
The courtiers listen in amazement, give frequent gasps of praise.
Only the old king Pratap Ray sits like wood, unmoved.
Baraj Lal is the only singer he likes, all others leave him cold.
From childhood he has spent so long listening to him sing -
Rag Kafi during holi, cloud-songs during the rains,
Songs for Durga at dawn in autumn, songs to bid her farewell -
His heart swelled when he heard them and his eyes swam with tears.
And on days when friends gathered and filled the hall
There were cowherds' songs of Krishna, in raags Bhupali and Multan.

So many nights of wedding-festivity have passed in that royal house:
Servants dressed in red, hundreds of lamps alight:
The bridegroom sitting shyly in his finery and jewels,
Young friends teasing him and whispering in his ear:
Before him, singing raag Sahana, sits Baraj Lal.
The king's heart is full of all those days and songs.
When he hears some other singer, he feels no chord inside,
No sudden magical awakening of memories of the past.
When Pratap Ray watches Kasinath he just sees his wagging head:
Tune after tune after tune, bu none with any echo in the heart.

Kasinath asks for a rest and the singing stops for a space.
Pratap Ray smilingly turns his eyes to Baraj Lal.
He puts his mouth to his ear and says,
'Dear Ustad,Give us a song as songs ought to be, this is no song at all.
It's all tricks and games, like a cat hunting a bird.
We used to hear songs in the old days, today they have no idea.'

Old Baraj Lal, white-haired, white turban on his head,
Bows to the assembled courtiers and slowly takes his seat.
He takes the tanpura in his wasted, heavily veined hand
And with lowered head and closed eyes begins raag Yaman-kalyan.
His quavering voice is swallowed by the enormous hall,
Like a tiny bird in a storm, unable to fly for all it tries.
Pratap Ray, sitting to the left, encourages him again and again:
'Superb, bravo!' he says in his ear, 'sing out loud.'

The courtiers are inattentive, some whisper amongst themselves,
Some of them yawn, some doze, some go off to their rooms;
Some of them call to servants, 'Bring the hookah, bring some paan.
'Some fan themselves furiously and complain of the heat.
They cannot keep still for a minute, they shuffle or walk about
- The hall was quiet before, but every sort of noise has grown.
The old man's singing is swamped, like a frail boat in a typhoon:
Only his shaky fingering of the tanpura shows it is there.
Music that should rise on its own joy from the depths of the heart
Is crushed by heedless clamour, like a fountain under a stone.

The song and Baraj Lal's feelings go separate ways,
But he sings for all he is worth, to keep up the honour of his king.
One of the verses of the song has somehow slipped from his mind.
He quickly goes back, tries to get it right this time.
Again he forgets, it is lost, he shakes his head at the shame;
He starts the song at the beginning - again he has to stop.
His hand trembles doubly as he prays to his teacher's name.
His voice quakes with distress, like a lamp guttering in a breeze.
He abandons the words of the song and tries to salvage the tune,
But suddenly his wide-mouthed singing breaks into loud cries.
The intricate melody goes to the winds, the rhythm is swept away -
Tears snap the thread of the song, cascade like pearls.
In shame he rests his head on the old tanpura in his lap -
He has failed to remember a song: he weeps as he did as a child.
With brimming eyes king Pratap Ray tenderly touches his friend:
'Come, let us go from here,' he says with kindness and love.

They leave that festive hall with its hundreds of blinding lights.
The two old friends go outside, holding each other's hands.
Baraj says with hands clasped, 'Master, our days are gone.
New men have come now, new styles and customs in the world.
The court we kept is deserted - only the two of us are left.
Don't ask anyone to listen to me now,
I beg you at your feet, my lord.
The singer along does not make a song, there has to be someone who hears:
One man opens his throat to sing, the other sings in his mind.
Only when waves fall on the shore do they make a harmonious sound;
Only when breezes shake the woods do we hear a rustling in the leaves.
Only from a marriage of two forces does music arise in the world.
Where there is no love, where listeners are dumb, there never can be song.'

MIRACLES-Walt Whitman

Why, who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with anyone I love, or sleep in the bed at night with anyone I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.
To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
To me the sea is a continual miracle,
The fishes that swim--the rocks--the motion of the waves--the ships with the men in them,
What stranger miracles are there?

CRADLE SONG-Sarojini Naidu

From groves of spice,
O'er fields of rice,
Athwart the lotus-stream,
I bring for you,
Aglint with dew
A little lovely dream.

Sweet, shut your eyes,
The wild fire-flies
Dance through the fairy neem;
From the poppy-bole
For you I stole
A little lovely dream.

Dear eyes, good night,
In golden light
The stars around you gleam;
On you I press
With soft caress
A little lovely dream.

THE BEGGAR MAID-Alfred Tennyson

Her arms across her breast she laid;
She was more fair than words can say;
Barefooted came the beggar maid
Before the king Cophetua.

In robe and crown the king stept down,
To meet and greet her on her way;
‘It is no wonder,’ said the lords,
‘She is more beautiful than day.’

As shines the moon in clouded skies,
She in her poor attire was seen;
One praised her ankles, one her eyes,
One her dark hair and lovesome mien.

So sweet a face, such angel grace,
In all that land had never been.
Cophetua sware a royal oath:
‘This beggar maid shall be my queen!’

HOME THEY BROUGHT HER WARRIOR DEAD-Alfred Tennyson

Home they brought her warrior dead:
She nor swooned, nor uttered cry:
All her maidens, watching, said,
‘She must weep or she will die.’

Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.

Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.

Rose a nurse of ninety years,
Set his child upon her knee
—Like summer tempest came her tears—
‘Sweet my child, I live for thee

THE LADY OF SHALLOT-Alfred Tennyson

On either side the river lie
Long fields of barley and of rye,
That clothe the world and meet the sky;
And through the field the road run by
To many-tower'd Camelot;

And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.

Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:

But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly;
Down to tower'd Camelot;

And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers, " 'Tis the fairy
The Lady of Shalott."

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.

She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;

There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad
Goes by to tower'd Camelot;

And sometimes through the mirror blue
The knights come riding two and two.
She hath no loyal Knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot;

Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," said
The Lady of Shalott.

A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.

A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:

And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armuor rung
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.

As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, burning bright,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.

From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.

Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over tower'd Camelot;

Down she came and found a boat
Beneath a willow left afloat,
And around about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance --
With a glassy countenance
Did she look to Camelot.

And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right --
The leaves upon her falling light --
Thro' the noises of the night,
She floated down to Camelot:

And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn'd to tower'd Camelot.

For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.

Out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And around the prow they read her name,
The Lady of Shalott.

Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;

But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott.

WANDERING SINGERS-Sarojini Naidu

Here the voice of the wind calls our wandering feet,
Through echoing forest and echoing street,
With lutes in our hands ever-singing we roam,
All men are our kindred, the world is our home.

Our lays are of cities whose lustre is shed,
The laughter and beauty of women long dead;
The sword of old battles, the crown of old kings,
And happy and simple and sorrowful things.

What hope shall we gather, what dreams shall we sow?
Where the wind calls our wandering footsteps we go.
No love bids us tarry, no joy bids us wait:
The voice of the wind is the voice of our fate.

IN THE BAZAARS OF HYDERABAD-Sarojini Naidu

What do you sell O ye merchants ?
Richly your wares are displayed.
Turbans of crimson and silver,
Tunics of purple brocade,
Mirror with panels of amber,
Daggers with handle of jade.

What do you weigh, O ye vendors?
Saffron and lentil and rice.
What do you grind, O ye maidens?
Sandalwood, henna, and spice.
What do you call , O ye pedlars?
Chessman and ivory dice.

What do you make,O ye goldsmiths?
Wristlets and ankles and ring,
Bells for the feet of blue pigeons
Frail as a dragon- fly's wing,
Girdles of gold for dancers,
Scabbards of gold for the king.

What do you cry,O ye fruitmen?
Citron, pomegranate, and plum.
What do you play ,O magicians?
Spells for aeons to come.

What do you weave, O ye flower-girls
With tassels of azure and red?
Crowns for the brow of a bridegroom,
Chaplets to garland his bed,
Sheets of white blossoms new-garnered
To perfume the sleep of the dead.

BOATS SAIL ON THE RIVERS-Christina Rossetti

Boats Sail on the Rivers
And ships sail on the seas;
But clouds that sail across the sky
Are prettier far than these.

There are bridges on the rivers,
as pretty as you please;
But the bow that bridges heaven,
And overtops the trees,
And builds a road from earth to sky,
Is prettier far than these

NIGHTINGALES-Robert Bridges

Beautiful must be the mountains whence ye come,
And bright in the fruitful valleys the streams, wherefrom
Ye learn your song:
Where are those starry woods? O might I wander there,
Among the flowers, which in that heavenly air
Bloom the year long!

Nay, barren are those mountains and spent the streams:
Our song is the voice of desire, that haunts our dreams,
A throe of the heart,
Whose pining visions dim, forbidden hopes profound,
No dying cadence nor long sigh can sound,
For all our art.

Alone, aloud in the raptured ear of men
We pour our dark nocturnal secret; and then,
As night is withdrawn
From these sweet-springing meads and bursting boughs of May,
Dream, while the innumerable choir of day
Welcome the dawn.

THE SOLITARY REAPER-William Wordsworth

Behold her, single in the field,
Yon solitary Highland lass!
Reaping and singing by herself;
Stop here, or gently pass!

Alone she cuts and binds the grain,
And sings a melancholy strain;
0 listen! for the vale profound
Is overflowing with the sound.

No nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands;

A voice so thrilling ne'er was heard
In spring-time from the cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.

Will no one tell me what she sings?
- Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago;

Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?

Whate'er the theme, the maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;

I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore
Long after it was heard no more. . .

INDIAN WEAVERS-Sarojini Naidu

Weavers, weaving at break of day,
Why do you weave a garment so gay?...
Blue as the wing of a halcyon wild,
We weave the robes of a new-born child.

Weavers, weaving at fall of night,
Why do you weave a garment so bright?...
Like the plumes of a peacock, purple and green,
We weave the marriage-veils of a queen.

Weavers, weaving solemn and still,
What do you weave in the moonlight chill?...
White as a feather and white as a cloud,
We weave a dead man's funeral shroud.

BREAK,BREAK,BREAK- Alfred Tennyson

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O, well for the fisherman's boy,
That he shouts with his sister at play!
O, well for the sailor lad,
That he sings in his boat on the bay!

And the stately ships go on
To their haven under the hill;
But O for the touch of a vanished hand,
And the sound of a voice that is still!

Break, break, break,
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.

REMEMBER- Christina Rossetti

Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.

Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.

Yet if you should forget me for a whileAnd afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

THE ROAD NOT TAKEN-Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could

To where it bent in the undergrowth;
Then took the other, just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,

Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.

Oh, I marked the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.
I shall be telling this with a sigh

Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
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REQUIESCAT-Oscar Wilde

TREAD lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.

All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.

Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.

Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone
She is at rest.

Peace, Peace, she cannot hear
Lyre or sonnet,
All my life’s buried here,
Heap earth upon it.

A MUSICAL INSTRUMENT-Elizabeth Barrett Browning

WHAT was he doing, the great god Pan,
Down in the reeds by the river ?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.

He tore out a reed, the great god Pan,
From the deep cool bed of the river :
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.

High on the shore sate the great god Pan,
While turbidly flowed the river ;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of a leaf indeed
To prove it fresh from the river.

He cut it short, did the great god Pan,
(How tall it stood in the river !)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sate by the river.

` This is the way,' laughed the great god Pan,
Laughed while he sate by the river,)
` The only way, since gods began
To make sweet music, they could succeed.'
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.

Sweet, sweet, sweet, O Pan !
Piercing sweet by the river !
Blinding sweet, O great god Pan !
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.

Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man :
The true gods sigh for the cost and pain, --
For the reed which grows nevermore again
As a reed with the reeds in the river.

ON A DEAD CHILD-Robert Bridges

Perfect little body, without fault or stain on thee,
With promise of strength and manhood full and fair!
Though cold and stark and bare,
The bloom and the charm of life doth awhile remain on thee.

Thy mother's treasure wert thou;--alas! no longer
To visit her heart with wondrous joy; to be
Thy father's pride:--ah, he
Must gather his faith together, and his strength make stronger.

To me, as I move thee now in the last duty,
Dost thou with a turn or gesture anon respond;
Startling my fancy fond
With a chance attitude of the head, a freak of beauty.

Thy hand clasps, as 'twas wont, my finger, and holds it:
But the grasp is the clasp of Death, heartbreaking and stiff;
Yet feels to my hand as if
'Twas still thy will, thy pleasure and trust that enfolds it.

So I lay thee there, thy sunken eyelids closing,--
Go lie thou there in thy coffin, thy last little bed!--
Propping thy wise, sad head,
Thy firm, pale hands across thy chest disposing.

So quiet! doth the change content thee?--Death, whither hath he taken thee?
To a world, do I think, that rights the disaster of this?
The vision of which I miss,
Who weep for the body, and wish but to warm thee and awaken thee?

Ah! little at best can all our hopes avail us
To lift this sorrow, or cheer us, when in the dark,
Unwilling, alone we embark,
And the things we have seen and have known and have heard of, fail us.

WHERE THE MIND IS WITHOUT FEAR-Rabindranath Tagore

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake

SHE WALKS IN BEAUTY-Lord Byron

SHE walks in beauty, like the night
Of cloudless climes and starry skies,
And all that's best of dark and bright
Meets in her aspect and her eyes;

Thus mellow'd to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair'd the nameless grace

Which waves in every raven tress
Or softly lightens o'er her face,
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek and o'er that brow
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,—

A mind at peace with all below,
A heart whose love is innocent.

PARADISE LOST- John Milton

WHEN I consider how my light is spent
Ere half my days, in this dark world and wide,
And that one talent which is death to hide
Lodged with me useless, though my soul more bent

To serve therewith my Maker, and present
My true account, lest He returning chide,—
Doth God exact day-labour, light denied?
I fondly ask:—But Patience, to prevent

That murmur, soon replies: God doth not need
Either man's work, or His own gifts, who best
Bear His mild yoke, they serve Him best. His state
Is kingly; thousands at His bidding speed

And post o'er land and ocean without rest:—
They also serve who only stand and wait.

LA BELLE DAME SANS MERCI - John Keats

O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.

O what can ail thee, knight-at-arms!
So haggard and so woebegone?
The squirrel's granary is full,
And the harvest's done.

I see a lily on thy brow
With anguish moist and fever dew,
And on thy cheek a fading rose
Fast withereth too.

"I met a lady in the meads,
Full beautiful -a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.

I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.

I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery's song.

She found me roots of relish sweet,
And honey wild, and manna dew,
And sure in language strange she said
'I love thee true.'

She took me to her elfin grot,
And there she wept, and sighed full sore,
And there I shut her wild wild eyes
With kisses four.

And there she lulled me asleep,
And there I dreamed -Ah! woe betide!
The latest dream I ever dreamed
On the cold hill's side.

I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried -'La Belle Dame sans Merci
Hath thee in thrall!

'I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill's side.

And this is why I sojourn here,
Alone and palely loitering,
Though the sedge has withered from the lake
And no birds sing!

THE SOLITUDE OF ALEXANDER SELKIRK - William Cowper

I AM monarch of all I survey;
My right there is none to dispute;
From the centre all round to the sea
I am lord of the fowl and the brute

O Solitude! where are the charms
That sages have seen in thy face?
Better dwell in the midst of alarms,
Than reign in this horrible place.

I am out of humanity's reach;
I must finish my journey alone;
Never hear the sweet music of speech—
I start at the sound of my own;

The beasts that roam over the plain
My form with indifference see—
They are so unacquainted with man,
Their tameness is shocking to me.

Society, Friendship, and Love
Divinely bestow'd upon man,
Oh had I the wings of a dove
How soon would I taste you again!

My sorrows I then might assuage
In the ways of religion and truth,
Might learn from the wisdom of age,
And be cheer'd by the sallies of youth.

Ye winds that have made me your sport,
Convey to this desolate shore
Some cordial endearing report
Of a land I shall visit no more.

My friends, do they now and then send
A wish or a thought after me?
O tell me I yet have a friend,
Though a friend I am never to see.

How fleet is a glance of the mind!
Compared with the speed of its flight,
The tempest itself lags behind,
And the swift-wingèd arrows of light.

When I think of my own native land,
In a moment I seem to be there;
But, alas! recollection at hand
Soon hurries me back to despair.

But the sea-fowl is gone to her nest,
The beast is laid down in his lair;
Even here is a season of rest,
And I to my cabin repair.

There's mercy in every place;
And mercy—encouraging thought!—
Gives even affliction a grace,
And reconciles man to his lot.

ELEGY ON THE DEATH OF A MAD DOG-Oliver Goldsmith

Good people all, of every sort,
Give ear unto my song;
And if you find it wondrous short,
It cannot hold you long.

In Islington there was a man,
Of whom the world might say
That still a godly race he ran,
Whene'er he went to pray.

A kind and gentle heart he had,
To comfort friends and foes;
The naked every day he clad,
When he put on his clothes.

And in that town a dog was found,
As many dogs there be,
Both mongrel, puppy, whelp and hound,
And curs of low degree.

This dog and man at first were friends;
But when a pique began,
The dog, to gain some private ends,
Went mad and bit the man.

Around from all the neighbouring streets
The wondering neighbours ran,
And swore the dog had lost his wits,
To bite so good a man.

The wound it seemed both sore and sad
To every Christian eye;
And while they swore the dog was mad,
They swore the man would die.

But soon a wonder came to light,
That showed the rogues they lied:
The man recovered of the bite,
The dog it was that died.

ULYSSES-Alfred Tennyson

It little profits that an idle king,
By this still hearth, among these barren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink
Life to the lees: all times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone; on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.


I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life. Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle–
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark broad seas.My mariners,
Souls that have toil’d, and wrought, and thought with me
–That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads–you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
’Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

HOME THEY BROUGHT HER WARRIOR DEAD-Alfred Tennyson

HOME they brought her warrior dead:
She nor swooned, nor uttered cry:
All her maidens, watching, said,
‘She must weep or she will die.’

Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.

Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.

Rose a nurse of ninety years,
Set his child upon her knee—
Like summer tempest came her tears—
‘Sweet my child, I live for thee.’

THE LISTENERS-Walter de la Mare

"Is anybody there?" said the Traveler,
Knocking on the moonlit door;
And his horse in the silence chomped the grasses
Of the forest's ferny floor.

And a bird flew up out of the turret,
Above the traveler's head:
And he smote upon the door a second time;
"Is there anybody there?" he said.

But no one descended to the Traveler;
No head from the leaf-fringed sill
Leaned over and looked into his gray eyes,
Where he stood perplexed and still.

But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:

Stood thronging the faint moonbeams on the dark stair
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveler's call.

And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
'Neath the starred and leafy sky;

For he suddenly smote the door, even
Louder, and lifted his head:--
"Tell them I came, and no one answered,
That I kept my word," he said.

Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:

Aye, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.

FLANNAN ISLE-Wilfrid William Gibson

THOUGH three men dwell on Flannan Isle
To keep the lamp alight,
As we steer'd under the lee, we caught
No glimmer through the night!

A passing ship at dawn had brought
The news; and quickly we set sail,
To find out what strange thing might all
The keepers of the deep-sea light.
The winter day broke blue and bright,
With glancing sun and glancing spray,
As o'er the swell our boat made way,
As gallant as a gull in flight.

But, as we near'd the lonely Isle;
And look'd up at the naked height;
And saw the lighthouse towering white,
With blinded lantern, that all night
Had never shot a spark
Of comfort through the dark,
So ghastly in the cold sunlight
It seem'd, that we were struck the while
With wonder all too dread for words.

And, as into the tiny creek
We stole beneath the hanging crag,
We saw three queer, black, ugly birds--
Too big, by far, in my belief,
For guillemot or shag--
Like seamen sitting bold upright
Upon a half-tide reef:
But, as we near'd, they plunged from sight,
Without a sound, or spurt of white.

And still too mazed to speak,
We landed; and made fast the boat;
And climb'd the track in single file,
Each wishing he was safe afloat,
On any sea, however far,
So it be far from Flannan Isle:
And still we seem'd to climb, and climb,
As though we'd lost all count of time,
And so must climb for evermore.
Yet, all too soon, we reached the door--
The black, sun-blister'd lighthouse door,
That gaped for us ajar.

As, on the threshold, for a spell,
We paused, we seem'd to breathe the smell
Of limewash and of tar,
Familiar as our daily breath,
As though 'twere some strange scent of death:
And so, yet wondering, side by side,
We stood a moment, still tongue-tied:
And each with black foreboding eyed
The door, ere we should fling it wide,
To leave the sunlight for the gloom:
Till, plucking courage up, at last,
Hard on each other's heels we pass'd
Into the living-room.

Yet, as we crowded through the door,
We only saw a table, spread
For dinner, meat and cheese and bread;
But all untouch'd; and no one there:
As though, when they sat down to eat,
Ere they could even taste,
Alarm had come; and they in haste
Had risen and left the bread and meat:
For on the table-head a chair
Lay tumbled on the floor.
We listen'd; but we only heard
The feeble cheeping of a bird
That starved upon its perch:
And, listening still, without a word,
We set about our hopeless search.

We hunted high, we hunted low,
And soon ransack'd the empty house;
Then o'er the Island, to and fro,
We ranged, to listen and to look
In every cranny, cleft or nook
That might have hid a bird or mouse:
But, though we searched from shore to shore,
We found no sign in any place:
And soon again stood face to face
Before the gaping door:
And stole into the room once more
As frighten'd children steal.

Aye: though we hunted high and low,
And hunted everywhere,
Of the three men's fate we found no trace
Of any kind in any place,
But a door ajar, and an untouch'd meal,
And an overtoppled chair.

And, as we listen'd in the gloom
Of that forsaken living-room--
O chill clutch on our breath--
We thought how ill-chance came to all
Who kept the Flannan Light:
And how the rock had been the death
Of many a likely lad:
How six had come to a sudden end
And three had gone stark mad:
And one whom we'd all known as friend
Had leapt from the lantern one still night,
And fallen dead by the lighthouse wall:
And long we thought
On the three we sought,
And of what might yet befall.

Like curs a glance has brought to heel,
We listen'd, flinching there:
And look'd, and look'd, on the untouch'd meal
And the overtoppled chair.
We seem'd to stand for an endless while,
Though still no word was said,
Three men alive on Flannan Isle,
Who thought on three men dead.

THE BROOK- Alfred Tennyson

I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.

I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,

And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

SWEETEST LOVE I DO NOT GO-John Donne

SWEETEST love, I do not go,
For weariness of thee,
Nor in hope the world can show
A fitter love for me ;
But since that I
At the last must part, 'tis best,
Thus to use myself in jest
By feigned deaths to die.

Yesternight the sun went hence,
And yet is here to-day ;
He hath no desire nor sense,
Nor half so short a way ;
Then fear not me,
But believe that I shall make
Speedier journeys, since I take
More wings and spurs than he.

O how feeble is man's power,
That if good fortune fall,
Cannot add another hour,
Nor a lost hour recall ;
But come bad chance,
And we join to it our strength,
And we teach it art and length,
Itself o'er us to advance.

When thou sigh'st, thou sigh'st not wind,
But sigh'st my soul away ;
When thou weep'st, unkindly kind,
My life's blood doth decay.
It cannot be
That thou lovest me as thou say'st,
If in thine my life thou waste,
That art the best of me.

Let not thy divining heart
Forethink me any ill ;
Destiny may take thy part,
And may thy fears fulfil.
But think that we
Are but turn'd aside to sleep.
They who one another keep
Alive, ne'er parted be.

ALL THE WORLD'S A STAGE-William Shakespeare

All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

THE PULLEY- George Herbert

WHEN God at first made Man,
Having a glass of blessings standing by—
Let us (said He) pour on him all we can;
Let the world's riches, which dispersèd lie,
Contract into a span.
So strength first made a way,
Then beauty flow'd, then wisdom, honour, pleasure:
When almost all was out, God made a stay,
Perceiving that, alone of all His treasure,
Rest in the bottom lay.
For if I should (said He)
Bestow this jewel also on My creature,
He would adore My gifts instead of Me,
And rest in Nature, not the God of Nature:
So both should losers be.
Yet let him keep the rest,
But keep them with repining restlessness;
Let him be rich and weary, that at least,
If goodness lead him not, yet weariness
May toss him to My breast.

MY LAST DUCHESS-FERRARA-Robert Browning

That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will 't please you sit and look at her? I said
"Frà Pandolf" by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say, "Her mantle laps
Over my Lady's wrist too much," or "Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat"; such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart . . . how shall I say? . . . too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace--all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,--good; but thanked
Somehow . . . I know not how . . . as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech--(which I have not)--to make your will
Quite clear to such an one, and say, "Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark"--and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
--E'en then would be some stooping; and I chuse
Never to stoop. Oh, sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will 't please you rise? We'll meet
The company below, then. I repeat,
The Count your Master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, Sir! Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me.

LORD ULLIN'S DAUGHTER-Thomas Campbell

A CHIEFTAIN to the Highlands bound
Cries, "Boatman, do not tarry!
And I'll give thee a silver pound
To row us o'er the ferry!"

"Now who be ye would cross Lochgyle,
This dark and stormy water?"
"O I'm the chief of Ulva's isle,
And this, Lord Ullin's daughter.

"And fast before her father's men
Three days we've fled together;
For should he find us in the glen,
My blood would stain the heather.

"His horsemen hard behind us ride—
Should they our steps discover,
Then who will cheer my bonnie bride,
When they have slain her lover?"

Out spoke the hardy Highland wight,
"I'll go, my chief, I'm ready:
It is not for your silver bright,
But for your winsome lady:—

"And by my word! the bonnie bird
In danger shall not tarry;
So though the waves are raging white
I'll row you o'er the ferry."

By this the storm grew loud apace,
The water-wraith was shrieking;
And in the scowl of heaven each face
Grew dark as they were speaking.

But still as wilder blew the wind,
And as the night grew drearer,
Adown the glen rode armèd men,
Their trampling sounded nearer.

"O haste thee, haste!" the lady cries,
"Though tempests round us gather;
I'll meet the raging of the skies,
But not an angry father."

The boat has left a stormy land,
A stormy sea before her,—
When, oh! too strong for human hand
The tempest gather'd o'er her.

And still they row'd amidst the roar
Of waters fast prevailing:
Lord Ullin reach'd that fatal shore,—
His wrath was changed to wailing.

For, sore dismay'd, through storm and shade
His child he did discover;—
One lovely hand she stretch'd for aid,
And one was round her lover.

"Come back! come back!" he cried in grief
"Across this stormy water;
And I'll forgive your Highland chief,
My daughter! O my daughter!"

'Twas vain: the loud waves lash'd the shore,
Return or aid preventing:
The waters wild went o'er his child,
And he was left lamenting.

AKBAR'S BRIDGE-Rudyard Kipling

JELALUDIN Muhammed Akbar, Guardian of Mankind,
Moved his standards out of Delhi to Jaunpore of lower Hind,
Where a mosque was to be builded, and a lovelier ne’er was planned;
And Munim Khan, his Viceroy, slid the drawings ’neath his hand.

(High as Hope upsheered her towers to the promised Heavens above.
Deep as Faith and dark as Judgment her unplumbed foundations dove.
Wide as Mercy, white as moonlight, stretched her fore courts to the dawn;
And Akbar gave commandment, ‘Let it rise as it is drawn.’)

Then he wearied—the mood moving—of the men and things he ruled,
And he walked beside the Goomti while the flaming sunset cooled,
Simply, without mark or ensign—singly, without guard or guide,
And he heard an angry woman screeching by the riverside.

’Twas the Widow of the Potter, a virago feared and known,
In haste to cross the ferry, but the ferry-man had gone.
So she cursed him and his office, and hearing Akbar’s tread,
(She was very old and darkling) turned her wrath upon his head.

But he answered—being Akbar—‘Suffer me to scull you o’er.
’Called her ‘Mother,’ stowed her bundles, worked the clumsy scow from shore,
Till they grounded on a sand-bank, and the Widow loosed her mind;
And the stars stole out and chuckled at the Guardian of Mankind.

‘Oh, most impotent of bunglers! Oh, my daughter’s daughter’s brood,
Waiting hungry on the threshold for I cannot bring their food,
Till a fool has learned his business at their virtuous grandam’s cost,
And a greater fool, our Viceroy, trifles while her name is lost!

‘Munim Khan, that Sire of Asses, sees me daily come and go
As it suits a drunken boatman, or this ox who cannot row.
Munim Khan, the Owl’s Own Uncle—Munim Khan, the Capon’s seed,
Must build a mosque to Allah when a bridge is all we need!

‘Eighty years I eat oppression and extortion and delays
—Snake and crocodile and fever—flood and drouth, beset my ways.
But Munim Khan must tax us for his mosque whate’er befall;
Allah knowing (May He hear me!) that a bridge would save us all!’

While she stormed that other laboured and, when they touched the shore,
Laughing brought her on his shoulder to her hovel’s very door.
But his mirth renewed her anger, for she thought he mocked the weak;
So she scored him with her talons, drawing blood on either cheek. . . .

Jelaludin Muhammed Akbar, Guardian of Mankind,
Spoke with Munim Khan his Viceroy, ere the midnight stars declined—
Girt and sworded, robed and jewelled, but, on either cheek appeared
Four shameless scratches running from the turban to the beard.

‘Allah burn all Potters’ Widows! Yet, since this same night was young,
One has shown me by sure token, there was wisdom on her tongue.
Yes, I ferried her for hire. Yes,’ he pointed, ‘I was paid.’
And he told the tale rehearsing all the Widow did and said.

And he ended, ‘Sire of Asses—Capon—Owl’s Own Uncle—know
I—most impotent of bunglers—I—this ox who cannot row
I—Jelaludin Muhammed Akbar, Guardian of Mankind—
Bid thee build the hag her bridge and put our mosque from out thy mind.’

So ’twas built, and Allah blessed it; and, through earthquake, flood, and sword,
Still the bridge his Viceroy builded throws her arch o’er Akbar’s Ford!